REC  ·  HISASHIBURI /26
35°41'N   139°41'E
TOKYO   東京
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A SHORT FILM
2026
SYN / INTENT / CONTACT
久しぶり
久しぶり
久しぶり
HISASHIBURI
TOKYO ONE DAY ONE NIGHT
Directed by Javier Ortiz Screenplay by Matthew Toma
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Go walks through Tokyo
Hero Still images/hero-still.jpg  ·  16:9 full-bleed
●   Frame 01 TOKYO  ·  07:42 JST
A body carried by the current 07:42 inbound
TRAINPLATFORMCROWDOFFICEROUTINEAGAINTRAINPLATFORMCROWDOFFICEROUTINEAGAIN
AUTOPILOT神奈川新宿AUTOPILOTENDUREREPEATENDUREAUTOPILOT神奈川新宿AUTOPILOTENDUREREPEATENDURE
I   /   LOGLINE

In Tokyo's endless flow of bodies and routine, a withdrawn salaryman reaches collapse until a chance reunion briefly reconnects him to the life he once imagined.

COLLAPSE
Not from a single event
— but because nothing
has happened for too long.
SYN—
OPSIS

Over the course of a single day and night in Tokyo, HISASHIBURI follows Go, a salaryman drifting through life on autopilot. Trains, crowds, offices, and neon streets blur into a cycle of repetition that has quietly erased his sense of purpose.

Seeking relief in solitary rituals and fleeting distractions, Go sinks further into isolation.

What happens next does not resolve his life. It interrupts his silence.

II   /   INTERVAL 一瞬
A still moment
Breathing Frame images/breathing-frame.jpg  ·  16:9
"A moment of recognition, shaped more by silence than words."
TOKYO
open 24h
SOMETHING
CLOSING SOON
深夜二時
Tokyo speaks a language he has forgotten how to answer.
II   /   INTENT
Go is not in crisis because of a single event — but because nothing has happened for too long.
ON STORY

I was drawn to telling a story where the emotional turning point is small and almost invisible. In life, recognition often arrives not through dramatic change, but through brief encounters that remind us of who we once were.

Matthew Toma Screenwriter
ON SILENCE

HISASHIBURI explores the quiet erosion of identity that can occur within modern systems built on routine, efficiency, and endurance.

Tokyo is presented not as spectacle, but as lived space — beautiful, overwhelming, and indifferent. Silence and restraint are intentional, reflecting both cultural realities and the internal language of a character who can no longer articulate his own needs.

Javier Ortiz Director
Fragments / 断片
03 FRAMES  ·  IN SEQUENCE
Fragment 01
01filmstrip-01.jpg
01 Routine / 日常
Fragment 02
02filmstrip-02.jpg
02 Escape / 逃避
Fragment 03
03filmstrip-03.jpg
03 Distraction / 気晴らし
HISASHIBURI
久しぶり
n. the word you say
when you meet someone
after a long time.